Showing posts with label loved it. Show all posts
Showing posts with label loved it. Show all posts
Friday, September 2, 2011
Sunday, February 27, 2011
Interview with BIG BOUFFANT author Kate Hosford
This week, we're talking with debut author and recent Vermont College grad Kate Hosford about her new book, BIG BOUFFANT, which comes out in March. The book tells the story of Annabelle who dares to try something different with her hair. The delightful story is filled with fun and reinforces the idea that it is okay to be yourself.
Q: Big Bouffant is so fresh - yet, it harkens back to something that was popular a long time ago - can you tell us more about the genesis of the idea. Did you come across a picture of your mom with a bouffant?
Is any element of Big Bouffant autobiographical? Have you ever worn a bouffant?
Kate: Thank you, Gayleen. I guess fashion is cyclical, so it was only a matter of time before the bouffant had its day. I have never worn a bouffant, but I did have big feathered hair in the eighties. My mother went through a stage in the sixties where she wore a bouffanti-ish wig when she went skiing. However, that was not really the inspiration for the story. Basically, my immediate family liked the sound of the word 'bouffant'. We would tell each other that we had bouffants when some family member's hair was looking particularly big. My younger son started saying 'big bouffant' and then I thought up the phrase, "All I really want is a big bouffant." Unfortunately, it took me five years to figure out that the story should be in rhyme, even though the phrase was in rhyme! I wrote many versions in prose, until someone suggested that I write the story like I was singing it. Then it came together pretty quickly.
Q: The underlying message here is that it's okay to be different and have a positive attitude about things - can you tell us if these ideas have personal importance to you?
Kate: I believe a strong sense of self is one of the most important qualities a child can have. In this story, Annabelle doesn't care when everyone else laughs at her bouffant, and when she believes that she is stylish, soon others do as well. They are really reacting to her strong character more than the hairdo itself.
Q: Will there be more stories with Annabelle?
Kate: The sequel, BIG BIRTHDAY, will come out in spring 2012 from Carolrhoda Books, a division of Lerner Publishing. Annabelle will get herself into even more outrageous situations in that book. Stay tuned!
Q: A lot of people mistakenly think picture books are easy because fewer words end up on the page - but it seems to me in a lot of ways they are much harder - each word counts for so much. Can you tell us a little about your process? I bet you do a lot of revising. Has your process changed as a result of Vermont College?
Kate: Yes, picture books present a unique challenge in terms of form. You usually have to make it work in a thirty-two page format. That having been said, I actually find the parameters of the picture book comforting. In novel writing, the writer has to search in a different way for the edges of her story.
I wrote the three stories I am publishing before Vermont College, but I probably worked on about twenty picture books during my time there, and they are in all different stages of revision. The nice thing about picture books is that I don't have to be emotionally invested in only one big project, which I think can be difficult.
Vermont College showed me that writing is a marathon, and one has to be in it for the long haul. We can hone our craft skills and court our creative muses, but we can't foresee the path that a particular story or novel will take. For instance, it is now obvious to me that BIG BOUFFANT should have been in rhyme all along, but it was not obvious for the first four and a half years. E.L. Doctorow says "Writing is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way."
Q: I noticed your illustrator is English. Have you met her and did you have any input on the look or feel of the book?
I have not met Holly Clifton-Brown yet, but I hope to meet her at some point. My editor was nice enough to show me Holly's sketches before she started work on the final art. I had some specific comments, but the feel of the book was really up to Holly. I think she did a wonderful job creating illustrations that are filled with interesting patterning, layers, textures, and sense of joyousness. Even now, when I read the book, I notice new things that I haven't seen before. I think that is the sign of a sophisticated illustrator --someone who can seamlessly integrate all sorts of information into a visual image. Then the reader can 'unwrap' the image, like a present.
Q: You have a background as an illustrator, don't you? Do you think that helps you to visualize your text in terms of illustratable moments?
Kate: I was an illustrator, but I think I make the same mistakes that all writers make when I write picture books. Even though we all know that the picture book is a visual form, it's easy to write a story that just doesn't have enough illustratable moments.
I've written more than a few 'picture books' that weren't visual enough. Stories that are heavy in dialogue, for instance, usually do not work well, because the illustrator will simply be drawing people who are standing around talking to each other. My teachers at Vermont College really recommended story boarding for all potential picture books. It's important to see if your story has enough illustratable moments.
Q: Do you have any signings or school visits planned?
Kate: So far, I've only read the book to four classes, and they all seemed to love it. When I read to a second grade class, I heard some of the children whisper "It's in rhyme!" We talked about how stories have to have problems, otherwise they are pretty boring. The children were then able to list all the problems that Annabelle encounters in the book. One boy suggested that I write a sequel about Annabelle's brother called Mini-Mohawk. I was particularly pleased by the boys' enthusiasm. I don't see this as a book just for girls. I think it's a book for everyone. We followed up with a discussion about what makes Annabelle special, and the students then wrote about qualities that make them special.
In a fourth grade class, we talked about the book in terms of writing process. We agreed that stories are like a puzzle, and you just have to keep playing around with it until all the pieces fit. One girl talked about a metaphor that her third grade writing teacher used; 'stories are like a meal, and you can't draw the fork out too quickly, you have to give the reader time to taste the food.' We also talked about how we are influenced by the writers we read. One boy wanted to know whether I was influenced by Dr. Seuss and Shel Silverstein. (Yes, and yes!)
I also read to two different kindergarten classes. When I asked the first class if they had any questions about how a book is made, they asked: "How do they make the paper shiny?" "How do they make the binding flat? How do they make the cover hard?" Note to self: kindergartners are concrete. Next time, I will choose my words more carefully for that particular question!
The official launch date for the book is March 28th, but the BIG BOUFFANT launch party will be at Books of Wonder in New York CIty on March 4th. So far, over a hundred people have said they are coming! We are going to do crazy hair styles for everyone. It should be a lot of fun.
In March I will do some events in San Francisco and the surrounding area. I will list all of this on my website, http://www.khosford.com/.
Big Bouffant is published by Carolrhoda Books, a division of Lerner Publishing, and was edited by Anna Cavallo. Kate is represented by Tracey Adams of Adams Literary.
Enjoy a trailer of Big Bouffant here.
Friday, February 11, 2011
The Rock and the River
With everything that has happened in Egypt the past few weeks, it seems like a very appropriate time to talk about a fabulous book I read last month, The Rock and the River by Kekla Magoon.
I had a long delay in the Detroit airport, but I hardly noticed because I was so eager to find out what would happen in this story.
Kekla is a graduate of Vermont College and was a grad assistant at the January residency.
The Rock and the River was Kekla's debut novel and it received many honors, including the Coretta Scott King award from the American Library Association.
The story is fictional, but the characters are so well drawn and the historical details so authentic, that I was convinced Sam Childs was the son of a 1960s civil rights leader. Not until I reached the author's note at the end did I realize Kekla had invented him.
Sam is torn between taking his father's route of non-violent protest or fighting back against the corrupt system that constantly oppresses those in his neighborhood - based solely on their skin color. The choice moves right into the Childs' home when Sam's older brother joins the Black Panther Party. The story prompts the reader to wonder - what would I do in that situation? What is the right answer?
Here is an interview with Kekla talking about the book.
Publisher: Aladdin: Simon & schuster
Editor: Kate Angelella
Agent: Michelle Humphrey of International Creative Management
Kekla has a new book out called Camo Girl. I look forward to reading it soon.
I had a long delay in the Detroit airport, but I hardly noticed because I was so eager to find out what would happen in this story.
Kekla is a graduate of Vermont College and was a grad assistant at the January residency.
The Rock and the River was Kekla's debut novel and it received many honors, including the Coretta Scott King award from the American Library Association.
The story is fictional, but the characters are so well drawn and the historical details so authentic, that I was convinced Sam Childs was the son of a 1960s civil rights leader. Not until I reached the author's note at the end did I realize Kekla had invented him.
Sam is torn between taking his father's route of non-violent protest or fighting back against the corrupt system that constantly oppresses those in his neighborhood - based solely on their skin color. The choice moves right into the Childs' home when Sam's older brother joins the Black Panther Party. The story prompts the reader to wonder - what would I do in that situation? What is the right answer?
Here is an interview with Kekla talking about the book.
Publisher: Aladdin: Simon & schuster
Editor: Kate Angelella
Agent: Michelle Humphrey of International Creative Management
Kekla has a new book out called Camo Girl. I look forward to reading it soon.
Friday, February 4, 2011
Blessed
With the recent snow days, I had grand plans of getting lots of things accomplished: writing, cleaning house, organizing files. But I made one critical mistake -
I picked up Cynthia Leitich Smith's new release, Blessed.
Pretty much everything else had to wait until I'd finished reading the whole thing.
The book is the third set in an alternative universe that includes vampires, angels, werewolves and other shape shifters - including werearmadillos and wereoppossums. The first, Tantalize, focused on Quincie, a teen coping with running an Austin restaurant while being wooed by a charismatic vampire. But what she really wants is to find romance with longtime friend (and half werewolf) Kieren.
In the second installment, Eternal, Guardian Angel Zachary tries to save the lovely Miranda from losing her soul to the Vampire King - in Chicago. In Blessed, the casts of the two books are united against an even greater evil.
At this point, you are probably thinking, "just what we need, another teen vampire novel." But these books are about a lot more than just fangs and fondling.
Smith doesn't pull any punches in tackling gender power issues, religion and the idea of differences uniting or dividing us. She also openly acknowledges Bram Stoker, the original creator of vampires, as well as literary and pop culture references appealing to a diverse group of readers.
At its core, Blessed is the story of second chances and going on when all seems lost. I found the story inspiring and I bet you will too.
Here is the trailer for Blessed.
I picked up Cynthia Leitich Smith's new release, Blessed.
Pretty much everything else had to wait until I'd finished reading the whole thing.
The book is the third set in an alternative universe that includes vampires, angels, werewolves and other shape shifters - including werearmadillos and wereoppossums. The first, Tantalize, focused on Quincie, a teen coping with running an Austin restaurant while being wooed by a charismatic vampire. But what she really wants is to find romance with longtime friend (and half werewolf) Kieren.
In the second installment, Eternal, Guardian Angel Zachary tries to save the lovely Miranda from losing her soul to the Vampire King - in Chicago. In Blessed, the casts of the two books are united against an even greater evil.
At this point, you are probably thinking, "just what we need, another teen vampire novel." But these books are about a lot more than just fangs and fondling.
Smith doesn't pull any punches in tackling gender power issues, religion and the idea of differences uniting or dividing us. She also openly acknowledges Bram Stoker, the original creator of vampires, as well as literary and pop culture references appealing to a diverse group of readers.
At its core, Blessed is the story of second chances and going on when all seems lost. I found the story inspiring and I bet you will too.
Here is the trailer for Blessed.
Blessed was published by Candlewick.
Edited by Deborah Wayshak.
Cynthia Leitich Smith is represented by Ginger Knowlton of Curtis Brown.
Thursday, April 29, 2010
The Astonishing Life of Octavian Nothing, Vol. I & II
Taking a lesson from my former Vermont College advisor and writing hero Cynthia Leitich Smith who told me to be brave and talk to other writers, I emailed MT Anderson to ask if he had any advice for aspiring authors. And whaddya know? He emailed me back! I've pasted his response below.
Gayleen: Is there one piece of advice you might have to share with aspiring writers?
MT Anderson: Hmmm ... Well, I'd suggest two things, I guess. One is to read as widely
as possible and as eccentrically as possible. I mean reading not just what
you're trying to write, but also ancient hymns and nineteenth century
novels and medieval mystery-plays and Harlequin romances and technical
manuals for VHS recorders ... Anything and everything. Denaturalize your
sense of language and try to always remind yourself of the thrilling
varieties of approach to language and story-telling that people have had
around the globe and throughout the ages.
Then the second thing I'd say -- completely unconnected -- is DON'T BE
AFRAID to take time off of a project between drafts! Give yourself a month
or two at least, and you'd be surprised what insights you have when you
return to the project!
And I guess also, keep working and good luck!
Isn't that cool? I'm pretty ecstatic that a National Book Award winner emailed me.
And I have a challenge for all of you - take a step out of your comfort zone. Whether it is commenting on a kidlit blog, emailing an author you admire or writing something different.
And, I'm off to take my own advice as I attend the Oklahoma Writers Federation Conference. My goal is to meet at least ten new people this weekend. I'll let you know how it goes.
Thursday, April 8, 2010
Heart of a Shepherd by Rosanne Parry
Here are my thoughts about this compelling middle grade novel.
The roundup on Heart of a Shepherd.
Learn more about Rosanne Parry at her website
She is represented by Stephen Fraser at Jennifer DeChiara Literary Agency.
Jim Thomas at Random House edited the book.
I emailed Rosanne Parry and asked if she had any advice she could share with aspiring writers. Here's her reply:
This is not so much advice as an observation. HEART OF A SHEPHERD is
the book it is, in part, because I thought I'd never sell it. Brother
is such a quirky character and Malhuer County is so far out of the
mainstream, I just assumed no one would want it. As a consequence I
focused on learning as much as I could about how to structure a book
that takes place over a whole year and how to handle a large family
while keeping to focus tightly on just one character. I ended up with
a story unlike anything I'd read recently and not a good match for any
editor or agent's list of "what they are looking for". Which, as it
turned out, was exactly what my editor and agent liked about it.
The roundup on Heart of a Shepherd.
Learn more about Rosanne Parry at her website
She is represented by Stephen Fraser at Jennifer DeChiara Literary Agency.
Jim Thomas at Random House edited the book.
I emailed Rosanne Parry and asked if she had any advice she could share with aspiring writers. Here's her reply:
This is not so much advice as an observation. HEART OF A SHEPHERD is
the book it is, in part, because I thought I'd never sell it. Brother
is such a quirky character and Malhuer County is so far out of the
mainstream, I just assumed no one would want it. As a consequence I
focused on learning as much as I could about how to structure a book
that takes place over a whole year and how to handle a large family
while keeping to focus tightly on just one character. I ended up with
a story unlike anything I'd read recently and not a good match for any
editor or agent's list of "what they are looking for". Which, as it
turned out, was exactly what my editor and agent liked about it.
Monday, April 5, 2010
Olive's Ocean by Kevin Henkes
Another installment of Book Talk!
More information about Olive's Ocean, a Newbery Honor winner:
Author Kevin Henkes is equally famous for his picture books (and is also an illustrator)
He was lucky enough to work with the same editor, Susan Hirschman, for many years and she wrote a wonderful article about him in the Horn Book.
On the author's website, you can read a four-chapter excerpt
The folks at Greenwillow included pictures of work on his new book on their blog.
More information about Olive's Ocean, a Newbery Honor winner:
Author Kevin Henkes is equally famous for his picture books (and is also an illustrator)
He was lucky enough to work with the same editor, Susan Hirschman, for many years and she wrote a wonderful article about him in the Horn Book.
On the author's website, you can read a four-chapter excerpt
The folks at Greenwillow included pictures of work on his new book on their blog.
Sunday, April 4, 2010
Book Talk - Each Little Bird That Sings by Deborah Wiles
Inspired by a number of people, I'm trying something a little different. To add a little more excitement to my blog, I'm testing out short video book recommendations. I plan to post several of these and get some feedback before deciding if it will be permanent feature.
In gathering the information on the editors and agents for the SCBWI conference, I ran into some difficulty in finding which books they had edited. Though it is becoming more and more common for authors to mention editors and agents on the acknowledgments page, that information is still sometimes scarce on the web. To help alleviate that, I plan to list all relevant information I can about each book along with its recommendation.
Here's the scoop on Each Little Bird That Sings.
Deborah Wiles has a website and a blog with a great recent entry on her writing process.
Her agent is Steven Malk at Writer's House
Liz Van Doren edited the book.
And last, but certainly not least, Deborah Wiles is an alum of the Writing for Children and Young Adults program at Vermont College.
In gathering the information on the editors and agents for the SCBWI conference, I ran into some difficulty in finding which books they had edited. Though it is becoming more and more common for authors to mention editors and agents on the acknowledgments page, that information is still sometimes scarce on the web. To help alleviate that, I plan to list all relevant information I can about each book along with its recommendation.
Here's the scoop on Each Little Bird That Sings.
Deborah Wiles has a website and a blog with a great recent entry on her writing process.
Her agent is Steven Malk at Writer's House
Liz Van Doren edited the book.
And last, but certainly not least, Deborah Wiles is an alum of the Writing for Children and Young Adults program at Vermont College.
Sunday, March 21, 2010
Conference Countdown
In less than one week, I’ll be attending the Oklahoma SCBWI conference in Oklahoma City.
I’m pretty excited about this event. Here is the lineup of speakers:
With Google and Blogs, finding out this information is so much easier than it used to be. Still, I thought I’d share the results of my detective work with others who might be interested.
First up, Agent Stephen Fraser with the Jennifer DeChiara Literary Agency in New York City.
Before becoming an agent, he worked as an editor at HaperCollins Children’s. There he worked with Mary Engelbreit, Gregory Maguire, Michael Hague, Ann Rinaldi, Kathryn Lasky, Brent Hartinger, Stephen Mitchell, and Dan Gutman.
Though the agency lists clients on their website, it doesn’t delineate which authors are represented by Fraser. So, more investigation….
Here’s a recent interview with him from Carol Lynch Williams’ blog, Throwing up Words. The interview is done by Carol’s daughter, Kyra. Carol Lynch Williams is an alum of Vermont College of Fine Arts and one of Fraser’s clients.
In the interview, he mentions several books he sold that will be coming out this spring: Drum City by Thea Guidone (a pb from Tricycle Press). two fantasy novels, The Clockwork Three by Matthew Kirby (September, Scholastic) and The Owl Keeper by Christine Brodien-Jones (April, Random House), and Carol Lynch Williams’ novel Glimpse (Paula Wiseman Books/Simon and Schuster).
Here’s another January interview with him from Joy Preble at the Class of 2K9: Debut Middle Grade and YA Authors blog. In it, he mentions several of his favorite MG books:
Francesca Lia Block’s Weetzie Bat (in the Dangerous Angels series); Jack Gantos’ Joey Pigza books; Holes by Louis Sachar; Seedfolks and Whirligig, both by Paul Fleischman; Sarah Plain and Tall by Patricia Maclachlan and Missing May by Cynthia Rylant.
And, another interview with him promoting the Pacific Coast Writers Workshop where he talks a little more in depth about what he enjoys in a book.
When I found out he repped Carol Lynch Williams, I decided to read her novel, The Chosen One. I was completely blown away by this emotionally-charged story about a polygamist family. I found myself really caring about this teenager born into a society so different from mine, yet so geographically and philosophically nearby. Yet, what moved and inspired me the most was how the author so beautifully wove in how important books can be in a person’s life. Kyra learns of the outside world and finds escape in the pages of the books she treasures. This is an amazing book and a must-read for everyone considering writing. You can find an excerpt from the publisher here.
Next, up: Greg Ferguson from Egmont.
I’m pretty excited about this event. Here is the lineup of speakers:
- Amy Lennex, Sleeping Bear
- Greg Ferguson, Egmont
- Kate Fletcher, Candlewick
- Agent: Stephen Fraser
- Art Director: Kerry Martin, Senior Designer, Clarion
With Google and Blogs, finding out this information is so much easier than it used to be. Still, I thought I’d share the results of my detective work with others who might be interested.
First up, Agent Stephen Fraser with the Jennifer DeChiara Literary Agency in New York City.
Before becoming an agent, he worked as an editor at HaperCollins Children’s. There he worked with Mary Engelbreit, Gregory Maguire, Michael Hague, Ann Rinaldi, Kathryn Lasky, Brent Hartinger, Stephen Mitchell, and Dan Gutman.
Though the agency lists clients on their website, it doesn’t delineate which authors are represented by Fraser. So, more investigation….
Here’s a recent interview with him from Carol Lynch Williams’ blog, Throwing up Words. The interview is done by Carol’s daughter, Kyra. Carol Lynch Williams is an alum of Vermont College of Fine Arts and one of Fraser’s clients.
In the interview, he mentions several books he sold that will be coming out this spring: Drum City by Thea Guidone (a pb from Tricycle Press). two fantasy novels, The Clockwork Three by Matthew Kirby (September, Scholastic) and The Owl Keeper by Christine Brodien-Jones (April, Random House), and Carol Lynch Williams’ novel Glimpse (Paula Wiseman Books/Simon and Schuster).
Here’s another January interview with him from Joy Preble at the Class of 2K9: Debut Middle Grade and YA Authors blog. In it, he mentions several of his favorite MG books:
Francesca Lia Block’s Weetzie Bat (in the Dangerous Angels series); Jack Gantos’ Joey Pigza books; Holes by Louis Sachar; Seedfolks and Whirligig, both by Paul Fleischman; Sarah Plain and Tall by Patricia Maclachlan and Missing May by Cynthia Rylant.
And, another interview with him promoting the Pacific Coast Writers Workshop where he talks a little more in depth about what he enjoys in a book.
Next, up: Greg Ferguson from Egmont.
Wednesday, February 10, 2010
Eternal - now in paperback
ETERNAL by Cynthia Leitich Smith, published by Candlewick, 2009, paperback 2010.
From the jacket copy:
At last, Miranda is the life of the party: all she had to do was die.
Elevated and adopted by none other than the reigning King of the Mantle of Dracul, Miranda goes from high-school theater wannabe to glamorous royal fiend overnight.
Meanwhile, her reckless and adoring guardian angel, Zachary, demoted to human guise as the princess’s personal assistant, has his work cut out for him trying to save his girl’s soul and plan the Master’s fast-approaching Death Day gala.
In alternating points of view, Miranda and Zachary navigate a cut-throat eternal aristocracy as they play out a dangerous and darkly hilarious love story for the ages.
From July 2009 through January 2010, I had the honor and privilege to work with Cynthia Leitich Smith as my faculty advisor during my second semester at Vermont College in the Writing for Children and Young Adults program. I was a Cynthia fan before I ever started the program. You might think, "well, of course you would choose her as an advisor." But it's not that simple. Advisors are assigned through a type of lottery. Students put down a certain number of faculty - in that case I think it was four or five and somehow a committee of faculty plays matchmaker and assigns a faculty member for each student.
There is a Zen sort of saying associated with the process "you get the advisor you need when you need them." This was certainly true in my case. With Cynthia's encouragement and keen guidance, I was able to plow through an entire first draft of a young adult historical mystery. Both my confidence and my skills blossomed with Cynthia's enthusiastic tutelage.
(I didn't feel comfortable posting all that praise while she was still my advisor, but now that our semester together is over, I can gush freely.)
And, the paperback release of Eternal gives me a great opportunity to discuss my new favorite subject: alternating point of view.
Everyone loves a secret - whether it is something whispered on a playground or gossip passed on at the water color, we long to have private information. This human predilection for secrets is a key component of all fiction. Whether the secrets are global or personal, matters of state or the human heart. Readers pick up books to see what secrets the author has to share with them. When an author uses alternating point of view to tell a story, the secrets increase.
In Eternal, Mariah is unaware that Zachary is her guardian angel. Of course Zachary knows and Cynthia has shared this secret with her readers, but Mariah is kept deliciously in the dark, amping up the tension and suspense in this smart, witty novel. She does a fabulous job of maintaining point of view and when additional information is neccessary, it is creatively presented through blog entries, newspaper ads and letters. Short chapters and tight story make the pace move quickly.
Cynthia also beautifully pays homage to Bram Stoker - something I really loved because I've had a huge crush on Dracula ever since the Frank Langella movie back in the '70s. (yes, I was in elementary school, but I was still fascinated and when I was just a little bit older, I stayed up late and watched the "Creature Features" on Saturday night withe the black and white monster movies from the '50s. The vampire movies were always my favorites.)
So, here is a book trailer for Eternal.
Eternal Trailer
OF LIGHT AND DARKNESS | MySpace Video
And here is a picture I took of the hardcover edition at the Barnes & Noble right here in Oklahoma City - along with Need by Vermont College alum Carrie Jones, which also just came out in paperback.
Finally, if you have even the slightest interest in books for young readers, you should check out Cynthia's blog, Cynsations. Every day she has interviews with authors, editors and agents discussing the world of childrens publishing. Plus, she frequently has contests giving away new cool books.
Finally, if you have even the slightest interest in books for young readers, you should check out Cynthia's blog, Cynsations. Every day she has interviews with authors, editors and agents discussing the world of childrens publishing. Plus, she frequently has contests giving away new cool books.
Monday, January 4, 2010
A Kiss in Time
A Kiss in Time by Alex Flinn, published by HarperTeen, 2009.
An updated take on the classic Sleeping Beauty story, told in alternating point of view with Talia (the princess) and Jack (the boy who wakes her with a kiss).
I found Flinn's chapter structure to be very interesting. Instead of simply alternating between one protagonist or the other, she offers part one from Talia's point of view, part two from Jack's point of view, then part three with Jack and Talia, alternating chapters between their points of view.
I was impressed by the way Flinn indicates a significant amount of time has passed between part one and part two with the opening line: “What they don't tell you about Europe is how completely lame it is.” Completely lame cues the reader that we now have a modern narrator. By and large, Talia's speech did seem authentic for an eighteenth century person. Malvolia's backstory makes her a fascinating villain - but to say anymore might be a spolier.
A wonderful romance filled with wit and humor.
Flinn also has a retelling of Beauty and the Beast called Beastly. A feature film based on the book is due out this summer. I look forward to reading the book before seeing the film. You can read more from Alex Flinn on her blog: I Plan to be a Diva Someday....
An updated take on the classic Sleeping Beauty story, told in alternating point of view with Talia (the princess) and Jack (the boy who wakes her with a kiss).
I found Flinn's chapter structure to be very interesting. Instead of simply alternating between one protagonist or the other, she offers part one from Talia's point of view, part two from Jack's point of view, then part three with Jack and Talia, alternating chapters between their points of view.
I was impressed by the way Flinn indicates a significant amount of time has passed between part one and part two with the opening line: “What they don't tell you about Europe is how completely lame it is.” Completely lame cues the reader that we now have a modern narrator. By and large, Talia's speech did seem authentic for an eighteenth century person. Malvolia's backstory makes her a fascinating villain - but to say anymore might be a spolier.
A wonderful romance filled with wit and humor.
Flinn also has a retelling of Beauty and the Beast called Beastly. A feature film based on the book is due out this summer. I look forward to reading the book before seeing the film. You can read more from Alex Flinn on her blog: I Plan to be a Diva Someday....
Saturday, January 2, 2010
Stars Beneath Your Bed
Stars Beneath Your Bed: The Surprising Story of Dust written by April Pulley Sayre, illustrated by Ann Jonas. Published by Greenwillow Books, an imprint of HarperCollins, 2005.
I have a tiny confession: picture books scare me. I know what you're thinking: there's just 32 pages, less than 800 words. What could be scary about that? Well, you try telling a complete story with a beginning, a middle and an end in less than 800 words. You'll see just how hard it is!
But April Pulley Sayre makes it look easy. She even helps unravel the secrets of the universe and she does it with just a few words on each spread. That's because she has found the right word for each sentence. Not a word that will work, or something close, but THE word. And doing that is magical.
My current work in progress, a young adult mystery set in the dust bowl had a lot to do with me selecting this book from Sayre's impressive list of non-fiction picture books.
I was a bit surprised to find the intriguing title doesn't appear exactly in the book, only as an inference that “the dust beneath your bed might be from Mars.”
This spread also has the most unusual text layout with the words: “floating, swirling, sprinkling, bits of you and me and soil and stars” moving from right to left down the page. This placement gives the words a life all their own, almost making them seem to dance. The beginning of most lines of text in the book start to the right or left of the previous line, mirroring the gradual descent of the dust acted on by the forces of gravity. But on the space spread, gravity isn't quite as strong. The dust lingers, suspended, floating before reaching the bottom of the page.
I have a tiny confession: picture books scare me. I know what you're thinking: there's just 32 pages, less than 800 words. What could be scary about that? Well, you try telling a complete story with a beginning, a middle and an end in less than 800 words. You'll see just how hard it is!
But April Pulley Sayre makes it look easy. She even helps unravel the secrets of the universe and she does it with just a few words on each spread. That's because she has found the right word for each sentence. Not a word that will work, or something close, but THE word. And doing that is magical.
My current work in progress, a young adult mystery set in the dust bowl had a lot to do with me selecting this book from Sayre's impressive list of non-fiction picture books.
I was a bit surprised to find the intriguing title doesn't appear exactly in the book, only as an inference that “the dust beneath your bed might be from Mars.”
This spread also has the most unusual text layout with the words: “floating, swirling, sprinkling, bits of you and me and soil and stars” moving from right to left down the page. This placement gives the words a life all their own, almost making them seem to dance. The beginning of most lines of text in the book start to the right or left of the previous line, mirroring the gradual descent of the dust acted on by the forces of gravity. But on the space spread, gravity isn't quite as strong. The dust lingers, suspended, floating before reaching the bottom of the page.
Thursday, December 31, 2009
The Green Glass Sea
The Green Glass Sea by Ellen Klages, published by Recorded Books, 2007.
Excellent audio production on this historical novel. If you haven't yet discovered audiobooks, I highly recommend them. Listening during a commute is a great way to fit more books into your life. (once again, so many books, so little time!)
But, back to the story (a finalist for the Quill Award and winner of many state awards). The alternating point-of-view of two girls from very different backgrounds thrown together at Los Alamos during World War II provides the reader with a more complete picture than could be achieved with just one narrator. The vivid descriptions create a spellbindly complete world for complete reader immersion.
I've not yet had a chance to read Klages' sequel, White Sands, Red Menace but I look forward to it.
Excellent audio production on this historical novel. If you haven't yet discovered audiobooks, I highly recommend them. Listening during a commute is a great way to fit more books into your life. (once again, so many books, so little time!) But, back to the story (a finalist for the Quill Award and winner of many state awards). The alternating point-of-view of two girls from very different backgrounds thrown together at Los Alamos during World War II provides the reader with a more complete picture than could be achieved with just one narrator. The vivid descriptions create a spellbindly complete world for complete reader immersion.
I've not yet had a chance to read Klages' sequel, White Sands, Red Menace but I look forward to it.
Tuesday, November 10, 2009
Perfect Chemistry
Perfect Chemistry by Simone Elkeles published by Walker and Company, 2009.
Elkeles has done a fabulous job in this modern take on the Romeo and Juliet story. Instead of Montagues and Capulets, she has Latino Blood and Country Club. She tells the story in alternating first-person point of view and both co-protagonists are fully fleshed out, intriguing characters.
Both characters grow and change, providing a strong internal arc. But the book also has a very solid plot.
Elkeles makes excellent use of foreshadowing. Doses of humor break up the tension. Thoughtful use of Spanish words and phrases in the text was extremely well done.
The sequel is due to come out in May, 2010. You can bet I'll be getting it.
Here's a sexy book trailer for Perfect Chemistry.
More Personally
Enjoyed meeting authors PJ Hoover, Michele Bardsley, Jordan Dane and fellow Vermont College student Stacy Nyikos at the Red Dirt Book Festival in Shawnee, OK. The community coming together to talk about books can be very inspiring. I look forward to sharing my thoughts on their books soon.
Elkeles has done a fabulous job in this modern take on the Romeo and Juliet story. Instead of Montagues and Capulets, she has Latino Blood and Country Club. She tells the story in alternating first-person point of view and both co-protagonists are fully fleshed out, intriguing characters.
Both characters grow and change, providing a strong internal arc. But the book also has a very solid plot.
Elkeles makes excellent use of foreshadowing. Doses of humor break up the tension. Thoughtful use of Spanish words and phrases in the text was extremely well done.
The sequel is due to come out in May, 2010. You can bet I'll be getting it.
Here's a sexy book trailer for Perfect Chemistry.
More Personally
Enjoyed meeting authors PJ Hoover, Michele Bardsley, Jordan Dane and fellow Vermont College student Stacy Nyikos at the Red Dirt Book Festival in Shawnee, OK. The community coming together to talk about books can be very inspiring. I look forward to sharing my thoughts on their books soon.
Tuesday, September 15, 2009
Gilda Joyce: Psychic Investigator

Gilda Joyce: Psychic Investigator by Jennifer Allison published by Recorded Books, 2005.
First off, I was very impressed with this audio production. Jessica Almasy brings an excited, breathless quality to her reading that fits the protagonist's quirky, effervescent personality. With funky costumes, wigs and an irrepresible optimism, Gilda is someone I'd love to be, although I'm a little too shy to pull it off.
In the opening book of this series, Gilda finagles a trip to San Francisco and ends up investigating a cousin's suicide.
The POV was omniscient third which allowed the reader to have a better understanding of everything going on.
As for the sidekick relationship in this one, Juliet acts as Gilda's sidekick in a completely platonic relationship, providing the skeptical, logical approach to balance Gilda's more mystical outlook.
Gilda has a strong voice and her longing for her late father move this book into the literary mystery category.
I'm eager to read the other books in this series.
Monday, August 10, 2009
Tender Morsels
I haven't been keeping up with my blogging this summer. (Shame on me!)

But I have been spending my time wisely. I had a glorious ten days at the Vermont College of Fine Arts working on my MFA in Writing for Children and Young Adults.
One fabulous part of my residency was hearing a lecture from Margo Lanagan, author of Tender Morsels. Ms. Lanagan is from Australia, which I guess is about as far removed from Oklahoma as you can get. But, her gregarious nature and bubbly personality made it seem like we were neighbors.

Tender Morsels is a richly complex book. It does deal with some rather dark subject matter (incest and rape) but it wraps these subjects in a fantasy world with a few degrees of separation from our own. I found it very interesting that for some of my classmates, these subjects immediately moved the book out of the category of what they thought teens should be reading. But, I have to disagree. Teens (and all of us, for that matter) should have a means of addressing difficult subjects. Is there a safer place than between the covers of a book?
I also think that Lanagan did a brilliant job of letting the reader know what happens without pausing on any graphic details. And, perhaps that is part of why the book is raising such a stir - Lanagan has left room for the reader to fill in those details with their own imagination. Apparently, those imaginations can be terribly lurid!
Finally, I have to mention the complex point of view shift Lanagan employs. Some of the book is written in first person, some in third person. Oh, and the first person narrator isn't always the same character. Sound confusing? I have to admit, I thought so at first. But then I caught on to what Lanagan was doing - the point of view is actually a commentary on patriarchial society. The men in the story (even if they are secondary characters) believe they are the hero of the story - it is all about them in first person. While the women (who are the focus of the novel) have no voice, their story is told in third person. I felt so smart when I figured this out!
Here is an interview with Lanagan http://clarkesworldmagazine.com/lanagan_interview/
And here is the link to her blog http://amongamidwhile.blogspot.com/
Monday, June 22, 2009
Girl, Hero

Girl, Hero by Carrie Jones published by Flux, 2008.
I feel like I'm a little behind in reading this book. I started to read it back in January when I attended my first residency at Vermont College of Fine Arts.
Carrie Jones was one of the awesome graduate assistants who helped guide us during our stay in Montpelier. Well, during the course of the semester, I got sidetracked by reading all those mysteries. My primary creative project for the past year falls into the mystery genre, so I've tried to read as many of those as I can. And, unfortunately, Girl, Hero fell to the bottom of my reading list.
Now, I can't tell you how awful I feel about that.
Especially because, reading it could've really helped me with what I've been working on. It's not a mystery, but it does feature a girl who is trying to figure out who she is and also deal with Dad issues. Except, this girl-hero has multiple men filling that father figure position – talk about upping the ante! This book is great. It deals with about a dozen issues in a real life way (not like in a talk show, to quote Lily, the protagonist.) It is also incredibly creative. Throughout the book, Lily writes letters to John Wayne. Yes, that John Wayne. Lily's late step-father watched John Wayne movies with her. I think writing these letters helps her feel closer to the dad she's lost. But you should read the book and draw your own conclusions.
Friday, June 5, 2009
Because of Winn-Dixie
Because of Winn-Dixie by Kate DiCamillo published by Scholastic, 2000.I love this book. It flows so well. I'm impressed with how much DiCamillo is able to convey about the characters and their relationships with her easy to read prose. It is clear that every word was chosen with great care. It won the Newberry Honor Award in 2001. If you haven't read this, you should. It is destined to be a classic.
Here's an interview with DiCamillo from 2007. I want to be just like her when I grow up.
Thursday, June 4, 2009
Lionboy
The Lionboy by Zizou Corder published by Highbridge Company (audio), 2003.I loved the language and adventure in this book. But it may not be what you expect.
This is definitely a genre-bender. Its near future setting and scientific research plot points might make it science fiction, but the protagonist being able to communicate with felines (everything from housecats to lions) puts it into the fantasy category. However, the UK writing style combined with trains, the circus and handwritten letters give it a historic feel.
I have to admit, I picked it up because of my fascination with big cats that started with my Tiger Troubles article for Ozarks Magazine. (sadly, no longer in publication)
Lionboy was fascinating and I was angry that it was a trilogy because I have to know what happens next! Zizou Corder really hooked me and I definitely intend to listen to the next two.
Friday, May 8, 2009
And the Winner Is...

Okay, I'm a little bit late in posting this, but CONGRATULATIONS to Tony Abbott for winning the Edgar from the Mystery Writers of America for The Postcard.
You may not believe me since I didn't get it up here ahead of time, but The Postcard was my favorite among the finalists. The story resonnated deeply with me. It was actually the first of the finalists that I read and gave me the idea of reading the others before the winners were announced.
I listened to the audio version of the book and I highly recommend it. The reading is good and the production doesn't distract from the story. (The book I'm listening to now occasionally has music in the background. It's a nice idea, but...)
On a personal note, I had a little winning excitement of my own. The opening of my middle grade mystery manuscript, Betrayed, won first place at the Oklahoma Writers Conference last weekend. Also, the opening chapters of a young adult nonfiction manuscript about tigers in the United States won first place in its division. This recognition has been an excellent motivator in getting me back for the final polish on the mystery and to consider exactly what to do next with the tiger manuscript.
Labels:
Edgar,
loved it,
middle grade novel,
OWFI,
winner
Subscribe to:
Posts (Atom)









